Kenyan celebrity couple Bahati and his wife Diana Marua have once again proven their unmatched mastery of online trends, controversy, and clout-chasing theatrics.
For years, the Bahatis have dominated headlines and social media conversations by employing reverse psychology and audacious publicity stunts that keep critics talking and fans engaged.
Whenever they wish to trend, they effortlessly ignite nationwide conversations, cementing their place as Kenya’s ultimate entertainment provocateurs.
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The latest storm surrounds Diana Marua’s rap release, Bibi Ya Tajiri, which dropped on Wednesday, September 3, 2025, and immediately triggered a wave of mixed reactions across Kenya’s entertainment scene.
Diana Marua ’s Bold Rendition of E-Sir’s Classic Saree
In her new track, Diana reimagines the late E-Sir’s timeless hit Saree, a daring move that quickly went viral.
Within hours of its debut, the song had already amassed over 370,000 YouTube views, cementing its position as a trending jam in Kenya’s vibrant music space.
Surprising both fans and critics, Marua delivered confident lyrics with a polished flow that many did not expect, given her modest reputation as a musician.
The high-quality visuals for Bibi Ya Tajiri further elevated the track, sparking admiration from a section of her audience.
Social Media Backlash and Trolls
Despite its initial success, the song also unleashed a torrent of criticism.
Netizens and even fellow celebrities flooded social media with mocking posts, memes, and parody skits ridiculing her rap skills.
Some critics went as far as to allege that the late E-Sir would be “turning in his grave” over what they termed as the “butchering” of his legendary hit.
Hip-hop enthusiasts dismissed Marua as a “clout chaser” intruding into a genre that demands authenticity and lyrical depth.
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Supporters Defend Diana Marua
Nonetheless, not everyone joined the hate train.
A significant number of Kenyans applauded Diana for her boldness and creativity.
Her defenders challenged critics to name any other Kenyan rapper who had managed to spark such a viral buzz in recent months.
Supporters praised her for daring to step into a male-dominated genre and for reinventing herself in an industry where many artists have long been forgotten.
Whether celebrated or ridiculed, one thing remains clear: Diana Marua knows how to command attention.
Bibi Ya Tajiri may not have silenced her critics, but it undeniably placed her at the center of Kenya’s music conversation, proving once again that when the Bahatis move, the nation talks.
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